As Mahmoud Ahmed’s legendary six-decade career nears its conclusion, fans across the globe await the final notes of an extraordinary chapter in Ethiopian music. Set to retire on January 11, 2025, Mahmoud’s departure signals the end of an era that not only shaped Ethiopian culture but also captivated international audiences with his innovative blend of tradition and modernity.
Born in May 1941 in the bustling Mercato district of Addis Ababa, Mahmoud’s story is one of humble beginnings and meteoric rise. Working as a handyman at the Arizona Club in his youth, he seized a life-changing opportunity to perform when the house band needed a replacement. That moment launched a career that would elevate him to the pantheon of Ethiopian music legends.
Mahmoud rose to prominence during the Golden Era of Ethiopian music in the 1960s and 1970s, enchanting audiences with his soulful renditions of Tizita, often likened to the blues for its emotive depth. Collaborating with celebrated bands such as the Imperial Body Guard Band, Roha Band, and Dahlak Band, Mahmoud released eight timeless albums and over 80 hits in Amharic and Guragegna, cementing his status as a cultural icon.
International recognition followed with the release of the Éthiopiques series, which introduced Mahmoud’s music to global audiences, earning him fans far beyond Ethiopia. His unique ability to bridge cultures through music earned him accolades, including the prestigious BBC World Music Award in 2007, a testament to his role as an ambassador of Ethiopian art on the world stage.
A committee led by prominent figure Abraham Wolde and Jorka Events has been working for two years to celebrate Mahmoud’s legacy. This multidisciplinary team, comprising artists, filmmakers, producers, and musicians, has organized various projects to honor the music legend. Plans include the release of a biography authored by journalist Wossen Debebe, a commemorative album featuring Mahmoud’s greatest hits, and proposals to name a public space in his honor and erect a monument celebrating his profound impact on Ethiopian music.
As preparations for Mahmoud Ahmed’s farewell concert gather momentum, organizers and collaborators reflect on the monumental contributions of the Ethiopian music legend, ensuring his achievements are celebrated with the reverence they deserve.
Abraham Gizaw Entertainment, one of the principal organizers of Mahmoud Ahmed’s farewell event, is spearheading efforts to honor the legendary musician’s unparalleled contributions to Ethiopia’s music industry. Founder Abraham Gizaw highlighted Mahmoud’s enduring influence and lamented how many artists in Ethiopia have passed away without receiving the recognition they deserved.
We don’t want that to happen again, Abraham said. Mahmoud deserves all the recognition we can give him. Throughout his career, he’s been a standout performer. We’ve already proposed to the Addis Ababa Culture and Arts Tourism Office to name a public space after him and erect a statue in his honor.
While awaiting approval from city authorities, Abraham noted that the committee is pressing ahead with other projects, emphasizing that the farewell concert is intended to express a collective Thank you for your contribution.
Organizing a tribute of this magnitude has not been without challenges. Abraham explained that the committee’s plans, first conceived two years ago, faced delays due to unforeseen circumstances and Mahmoud’s health issues. Despite these setbacks, the team pressed on, inspired by the weeklong honorary events organized by Ethiopian volunteers in the United States earlier this year. The farewell event, now firmly scheduled for January 2024, will cap off a series of honorary celebrations that began in the United States, where Ethiopian volunteers organized a weeklong tribute.
Among those deeply involved in commemorating Mahmoud’s legacy is Dawit Yefiru, a veteran musician and producer who has collaborated with Mahmoud for over four decades. Dawit played a pivotal role in producing Mahmoud’s music during his time with the Dahlak and Roha bands, contributing to eight of his albums. Reflecting on their partnership, Dawit praised Mahmoud meticulous approach to music, paying attention to every detail of sound and preparation, both in and outside the studio.
Mahmoud Ahmed was born to be a musician, Dawit said. He’s always embraced change and innovation. In my opinion, he’s one of the greatest musicians I’ve ever worked with. His voice has soothed and transported audiences for over five decades.
Dawit also highlighted the need for Mahmoud to receive proper recognition and financial support for his lifetime contributions. This is the moment for Mahmoud to retire with the honor he deserves, Dawit said. But along with the accolades, he should also receive the royalty rights and funding he’s entitled to, especially given his age and the programs being prepared in his name.
While acknowledging the importance of financial support for Mahmoud, Abraham clarified that the farewell concert is not a profit-generating event. This project is solely about gratitude, Abraham said. It’s not about generating income for Mahmoud but honoring his unparalleled contributions to Ethiopian music over the past six decades.
Reports indicate that Mahmoud has previously received financial support from prominent businessman Mohammed Hussein Ali Al Amoudi, as well as from Ethiopians both at home and abroad. However, the focus of the upcoming concert is on celebrating Mahmoud’s artistry and legacy rather than addressing financial concerns.
As Mahmoud Ahmed prepares to take the stage for the final time in January 2025, his journey from a young handyman in Addis Ababa to a global music icon reflects the profound impact of dedication, talent, and cultural heritage. The farewell concert, along with the initiatives to honor his legacy, showcases the immense respect and admiration he has garnered. Mahmoud’s music has bridged cultures, crossed borders, and inspired generations an enduring legacy that will resonate far beyond his final performance.
